Originally published in RealTime magazine, September, 2009.
I began writing about Australian animation in 2003, but only by default. I was in the queues for the Melbourne International Film Festival waiting to see various short film programs, which is what I intended to review. I kept overhearing the names ‘Adam Elliot’ and ‘Harvie Krumpet’ in conversations [...]

Carmen Torero.
Originally published in RealTime issue #92 Aug-Sept 2009 pg. 31.
IN ITS 9TH ITERATION, THE MELBOURNE INTERNATIONAL ANIMATION FESTIVAL’S PROGRAMMING POLICY CONTINUES TO BE BRAVE AND ADVENTUROUS, AND THIS RESULTED IN ANOTHER DIVERSE SET OF PROGRAMS. THIS YEAR, THE BOAST WAS THAT MIAF SCREENED OVER 400 FILMS SELECTED FROM OVER 2,000 ENTRIES, SPREAD OVER 40 [...]

Illustration by John Coulthart.
Originally published in the catalogue for the exhibition ‘J.G. Ballard, Autopsy of the New Millennium’, held at the CCCB, Barcelona, Spain, October 2008. It accompanied the selection of Ballardian ‘home movies’ I selected for the exhibition.
THE 1ST BALLARDIAN FESTIVAL OF HOME MOVIES: A competition for 1-minute films shot on mobile phones
COMPETITION REQUIREMENTS
1) [...]

Daumë, Ben Russell.
Originally published in RealTime issue #87 Oct-Nov 2008 pg. 23.
ONE OF THE INTERESTING THINGS ABOUT THE MELBOURNE INTERNATIONAL FILM FESTIVAL IS THE ‘PARALLEL WORLD’ EFFECT. THE FESTIVAL YOU EXPERIENCE MAY WELL BE COMPLETELY DIFFERENT FROM ANYONE ELSE’S, SO MUCH SO YOU MAY SOMETIMES WONDER IF YOU WERE AT THE SAME EVENT AT ALL. [...]

PeursDuNoir [Fear(s) of the Dark] – Burns 06, Charles Burns.
Originally published in RealTime issue #86 Aug-Sept 2008 pg. 24.
THIS YEAR’S MIAF WAS FLUSH WITH RICHES. SELECTED FROM OVER 2000 ENTRIES, THERE WERE 150 FILMS IN COMPETITION AND 150 OUTSIDE OF IT. THERE WAS AN EIGHT-PROGRAM INTERNATIONAL SELECTION, MUSIC VIDEOS, DIGITAL ANIMATION, STUDIO AND PRODUCER SHOWCASES, [...]

Ward 13.
Originally published in RealTime issue #84 April-May 2008 pg. 25
IN COMPILING A PROGRAM OF AUSTRALIA’S BEST ANIMATION SHORTS FOR FLICKERFEST, CURATOR ANTHONY LUCAS CHOSE FILMS THAT INSPIRED HIS OWN ANIMATION CAREER, INCLUDING TV COMMERCIALS. LUCAS DESCRIBES THE PROGRAM AS “A RETRO VIEW JUMPED UP ON TANG, WEARING GOLDEN BREED STUBBIES, RIDING A MALVERN STAR, [...]

Still from The Boy Who Loved Rain.
by Simon Sellars

Originally published in RealTime issue #81 Oct-Nov 2007.

RECENTLY IN REALTIME AND ELSEWHERE I’VE BEEN CRITICAL OF AUSTRALIAN SHORT FILM AND ANIMATION, SO MUCH SO I’M BEGINNING TO BORE MYSELF (AND DOUBTLESS OTHERS) WITH THE OLD REFRAIN. STILL, I VOICE THESE CRITICISMS FROM A POSITION OF RESPECT FOR [...]

Still from Carnivore Reflux.
by Simon Sellars

Published in RealTime issue #80 Aug-Sept 2007.

AT THE MELBOURNE INTERNATIONAL ANIMATION FESTIVAL’S CAREERS IN ANIMATION FORUM, AN AUDIENCE MEMBER WANTED TO KNOW WHAT INSTITUTIONS LOOK FOR IN THEIR ENTRANCE INTERVIEWS. ROBERT STEPHENSON (VCA) SAID THAT AN UNDERSTANDING OF THE BODY’S MOVEMENT AND MECHANICS IS USEFUL. HE SUGGESTED WOULD-BE ANIMATORS ENROL [...]

Best Film Award, Tropfest 07: ‘An Imaginary Life’ (Steve Baker).
by Simon Sellars

Originally published on Sleepy Brain, 1 April 2007.

On April 7 Channel Nine, accompanied by the still-infuriating-after-all-these-years Richard Wilkins, screened the films from the finals of the Sony Tropfest 2007 short-film festival, which was held on February 18. Tropfest purports to showcase the work of [...]

Flyer for Northern Void.

Originally published on Sleepy Brain, 19 February 2007.

Last night I attended the second (and last, for now) screening of Philip Brophy’s 50-minute film Northern Void, billed as a “live cinema performance” accompanied by the real-time sonics of Ph2 (Brophy and Philip Samartzis). Northern Void is set along Plenty Rd, in the northern [...]